Call me crazy, but I just LOVE One Piece. I could never get enough of the gang and their pirate adventures. Each one helping the other find their individual dreams, they make up the perfect group of unlikely comrades and the best of friends. They go against practically insurmountable obstacles and invincible adversaries, and yet they prevail by honing their own special abilities and never failing to lend each other a hand. How I wish I were a part of such a motley and endearing pirate crew!
dreaming between the pages
Every moment is a dream, and I dream every moment. Books, Poetry, Stories, Songs, and Thoughts. What dreams make up your life?
Saturday, May 25, 2013
Monday, April 22, 2013
Patience - Guns N' Roses
(One of the best songs ever! I love GN'R!)
One, two, one, two,
three, four
Shed a tear 'cause I'm missin' you
I'm still alright to smile
Girl, I think bout you every day now
Was a time when I wasn't sure
But you set my mind at ease
There is no doubt you're in my heart now
Said woman take it slow, and it'll work itself out fine
All we need is just a little patience
Said sugar make it slow and we'll come together fine
All we need is just a little patience
Mmmm, yeah
I sit here on the stairs
'Cause I'd rather be alone
If I can't have you right now I'll wait dear
Sometimes I get so tense but I can't speed up the time
But you know love there's one more thing to consider
Said woman take it slow and things will be just fine
You and I'll just use a little patience
Said sugar take the time cause the lights are shining bright
You and I've got what it takes to make it
We won't fake it, I'll never break it
'Cause I can't take it
Little patience, mmm yeah, mm yeah
Need a little patience, yeah
Just a little patience, yeah
Some more patience, yeah
Could use some patience, yeah
Gotta have some patience, yeah
All it takes is patience
Just a little patience
Is all you need (background vocals)
I've been walking the streets at night
Just trying to get it right
It’s hard to see with so many around
You know I don't like being stuck in the crowd
And the streets don't change
But maybe the names
I ain't got time for the game cause I need you
Yeah, yeah, yeah, 'cause I need you
Ooo I need you, whoa I need you
Ooooh, all this time
Saturday, April 20, 2013
Looper (2012)
This film was released in 2012 and starred Joseph
Gordon-Levitt, Bruce Willis, and Emily Blunt.
I have to say it’s one of the best sci-fi/action stories I’ve ever seen.
I don’t think I’ve enjoyed a sci-fi
flick this much since Equilibrium
(2002). The main pull for me was the plot
itself, because for a sci-fi flick, this one didn’t really have too many
mind-blowing visual effects. The story
and the characters drove the motion of the movie, and it swept me along on its
urgent and rather emotional race toward the finish. Excellent, excellent!
The story is set in a rather dystopian world, still quite
similar to our own present. Time travel
has not yet been invented. But thirty
years into the future it will be.
Immediately it is outlawed, but criminal organizations in the future
still use it to get rid of their enemies by dumping them, bound and with their
head in a sack, into the past, where a waiting “looper” will shoot them dead as
soon as they get there. A looper is paid
in silver, bars of which are strapped on to the person sent to him for
killing. Eventually though, having a
looper running around is too risky, so the bosses from the future would find
the looper’s future self, and in a stroke of bitter irony, send him back to the
past for his younger version to kill. In
this case, gold bars are given as an incentive, and thus the “loop” is
closed. Our Joe (Gordon-Levitt) is one
such looper. The events of the film
begin to escalate when his best friend fails to close his “loop” and ends up
getting killed. Joe believes he himself
was entirely at fault for not being able to save his friend. And then things get really bad when he
himself fails to kill his future self.
So then Future Joe (Willis) must now try to set things in motion so that
his present self will not have to live a life in which he would eventually watch
his beloved wife get murdered. For that
particular offence, Future Joe blames the “Rainmaker,” the evil overlord of the
future. He sets out to kill the
Rainmaker in the present so that the child will never grow up to be the evil
overlord that he will be. I’ll stop here
to avoid giving away too much of the movie.
Really, it must be seen to be truly appreciated.
The movie touched on a varied number of themes, but I think
the central one is that of taking responsibility for one’s actions, facing the
consequences, and being honourable and noble enough to accept them. By the end of the film, Joe finally finds the
perfect solution to break the cycle of pain and bloodshed that binds his life
with that of the Rainmaker. He takes the
future into his own hands and saves everyone even at the cost of the only thing
he has left. Other themes the flick
touched on were loyalty, parenthood, a child’s innocence, revenge, and the
redemptive power of love. It’s a
glorious mishmash of all that and more. Fast-paced, thought-provoking, and
emotionally intense, I highly recommend this film to one and all.
Wednesday, April 17, 2013
Black Sheep - Gin Wigmore
(One of the most bad-ass songs I've ever heard. This song became a great favorite from the moment I first heard it.)
I got lots of jealous lovers that all wish they had me back
Got a pistol for a mouth, my own mama gave me that
Making my own road out of gravel and some wine
And if I have to fall then it won't be in your line
Everybody's doing it so why the hell should I?
Everybody's doing it so why the hell should I?
I'm a bad woman to keep
Make me mad, I'm not here to please
Paint me in a corner, but my colour comes back
Once you go black you never go back
I'm a black sheep
I'm a black sheep
Got a pistol for a mouth, my own mama gave me that
Making my own road out of gravel and some wine
And if I have to fall then it won't be in your line
Everybody's doing it so why the hell should I?
Everybody's doing it so why the hell should I?
I'm a bad woman to keep
Make me mad, I'm not here to please
Paint me in a corner, but my colour comes back
Once you go black you never go back
I'm a black sheep
I'm a black sheep
I wasn't born a beauty queen but I'm okay with that
Maybe radio won't mind if I sing a little flat
I wear my boots to bed, hang a cross up on the wall
To save me from a shallow break who wants to take us all
Everybody's doing it so why the hell should I?
Everybody's doing it so why the hell should I?
I'm a bad woman to keep
Make me mad, I'm not here to please
Paint me in a corner, but my colour comes back
Once you go black you never go back
I'm a black sheep
I'm a black sheep
I got lots of jealous lovers that all wish they had me back
Got a pistol for a mouth, my own mama gave me that
Making my own road out of gravel and some wine
And if I have to fall then it won't be in your line
I'm a bad woman to keep
Make me mad, I'm not here to please
Paint me in a corner, but my colour comes back
Once you go black you never go back
Once you go black you never go back
Friday, April 12, 2013
Maou (2008)
This has to be one of the best series I have ever
seen. The story was just so absorbing
and suspenseful. The central characters
were all interesting and magnetic. A
wonderfully delivered plot, plus great performances, plus a smorgasbord of
themes, made this an intensely gripping and emotional story.
The title is literally
translated as “devil king”. That’s
because the central character is a lawyer who’s being dubbed as “angelic” for
his reputation for clearing accused people who were really innocent of their
purported crime. In truth, though, this
lawyer is very carefully manipulating his clients and his entire career in
order to stage a vengeance that took him eleven years to plan and execute. When he was seventeen years old, Manaka Tomoo’s
brother was accidentally stabbed by a classmate named Serizawa.
It all began there. Slowly but surely with each episode all the
events that led up to Manaka’s bitter search for vengeance unfolds. Death comes one by one to people who were
related to the case. Serizawa, who now
has become a police detective, tries to unravel the mysteries surrounding the
deaths caused by a mysterious figure called Amano Makoto. Eventually Serizawa finds out the truth about
the deaths that seem to be hounding his friends and family and their connection
to the painful past that he has been trying to overcome since the unfortunate
incident eleven years ago.
Unfortunately, the tides cannot be turned anymore. Manaka and Serizawa must confront each other and
face the consequences of their actions, and the series comes to an
appropriately tragic conclusion.
The series dealt with some very serious themes,
including guilt and atonement, closeness to one’s family, loyalty to one’s
friends, betrayal, justice, sacrifice, and the redemptive power of
forgiveness. It also had a supernatural
element, represented as a psychic ability possessed by Manaka’s love
interest. That particular aspect of the
story gave the entire series even more depth because although Manaka finds love
and the hope of happiness, he ultimately sees himself unworthy of anything good
– love, forgiveness, or joy. I was truly
enthralled by the story, its twists and turns, and the unexpected ways Manaka
delivered his vengeance. He was so dead
set on it that he gave up his entire life for the fulfilment of his crusade. The pacing was excellent, and the characters
were all flawlessly portrayed. I highly
recommend this series to all who are looking for something of a detective
thriller/mystery, because you will definitely get much more than you
expect. Maou has quickly become one of my most favourite series of all time.
Friday, April 5, 2013
A Discovery of Witches - Deborah Harkness
Deep in the heart of Oxford’s
Bodleian Library, Diana Bishop – a young scholar and the descendant of witches
– unearths an enchanted alchemical manuscript.
Wanting nothing to do with sorcery, she banishes the book to the
stacks. But her discovery has set a
fantastical underworld stirring, and soon a horde of daemons, witches, and
other creatures descends upon the library.
Among them is the enigmatic Matthew Clairmont, a vampire with a keen
interest in the book. Equal parts
history and magic, romance and suspense, A Discovery of Witches is a
mesmerizing and addictive tale of passion and obsession that reveals the
closely guarded secrets of an enchanted world.
(Back cover)
I’m
on a short vacation right now, so I chose to read something very light and
escapist. I don’t want to think about
anything too deeply, and this book fit.
I’m a big fan of magic in fantasy literature, so I found this
interesting enough. Another thing that I
liked about it was that it dealt a lot with books and libraries. Magic, books, and libraries – a winning
combination.
Although
the book is a hefty 718 pages (mass market paperback), the back cover says
about all it actually is. The heroine,
Diana, has been living in denial and suppressing her powerful magical abilities
since a very young age. She turns to the
world of academia where she feels that she can accomplish much without needing
to use any magic. But she can’t escape
her true nature. So one day, she finds
her hands on an enchanted manuscript. She
didn’t know, however, that for centuries all sorts of creatures have been
searching for this tome, having each their own desperate agenda relating to it. So when she opens the book, other creatures
felt its magic as well and soon Diana is being hounded by other witches,
daemons, and vampires. And of course,
once a vampire enters the picture, we all know how everything will turn
out. Yep, they fall in love. Surprise, surprise.
Matthew
Clairmont is your average fantasy vampire.
Around and about him the author uses words like enigmatic, magnetic, tall, dark, mysterious, princely,
knight-in-shining-armour, and the like.
You get the drift. This vampire
turns out to be scientist, too. He is
very curious about the genetics behind the different creatures out there –
humans, vampires, witches, daemons, etc.
Turns out that the book Diana found may hold the key to his search for
the answers he wants. But
of course, there’s a whole lot more they have to deal with. Suddenly Diana is in terrible danger and
Matthew then plays the role of protector.
As their relationship progresses, they find that a lot of things stand
in the way of their romance. Matthew
carries a whole lot of history with him – 1500 years of it, to be exact. Diana has to deal with that. Then a long-ago covenant made between
vampires, daemons, and witches actually forbids inter-species fraternization. Add to that Diana’s raw magical power
spilling out of her uncontrollably, coupled with a troubled past that she has
yet to resolve. So our pair has quite a
lot on their supernatural hands.
What
made the book as long as 718 pages? It
was something pretty likeable and interesting, actually. History, literature, and science. Since the two protagonists are both scholars,
and one of them apparently lived through all 1500 years of history, you get a
crash course in those three fields of interest as you follow their tale of “the
two of us against the world.” Although the plot is basic and predictable, I
did enjoy going through the crash course.
After all, you’d never get your genetics, physics and chemistry,
literature, and history classes spiced up by romance, adventure, and suspense
in a university course. There’s an
idea. Why not throw in a magnetic,
brooding vampire and a captivating, intelligent witch into a microbiology lecture? I’m sure fewer students would be falling
asleep as the professor drones on.
So
did I enjoy the book? Yes. It fit what I was looking for at the
time. I finished it in two days – all 718
pages of it. Like I said, it’s light and
doesn’t really require much of deep thinking.
You just sit back, imagine yourself in the wonderful world of Oxford, or
a medieval castle in France, or surrounded by spectacular books in a great old
library. And oh, don’t forget to imagine
yourself surrounded by unnaturally gorgeous peoples. There.
Plus, I enjoyed the scholarly parts of the story, too. I tend to read very fast when I’m actually having
fun with the book. So if you think all
that’s appealing, then try the book and I hope you enjoy.
Wednesday, April 3, 2013
Unscene #12
Kaleidoscope
There was blood everywhere – on the walls, on
the bed – the carpet had turned into a sick dark brown where it wasn’t creamy
blue. The boy lay down on his side,
clutching a toy gun in his hand. His
mother slumped against the far wall, her bloody hair hanging limp down to her
elbows. The steely odour of all the blood filled Sarah’s
head.
She took a step back towards the open window
to get a breath of untainted air; her foot hit something that rolled away from
her. Sarah stooped to pick it up and saw
that it was a kaleidoscope. She put it
to her eye and watched the patterns dance as she slowly spun the tube. She had always wanted one when she was a
child. She put it down and walked
towards the boy, squatting next to him to stare at the ashen six-year-old
face. Should she think him lucky for
having had a kaleidoscope?
Sirens and flashing lights came from the
window. Soon enough Sarah heard
footsteps running up the stairs. She
stood back and watched as the policemen rushed into the defiled room, checked
the bodies for signs of life, and proceeded to start their
investigation. Of course, no one noticed
Sarah as she calmly walked toward the window, threw herself out, and rose to glide
away from the once-beautiful house.
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